{"title":"Magazines","description":"","products":[{"product_id":"national-sculpture-society-sculpture-review-magazi","title":"Sculpture Review Magazine LXVI no.1 Spring 17","description":"\u003cp\u003eSince SCULPTURE REVIEW'S inception as the voice of the NATIONAL SCULPTURE SOCIETY in 1951, the magazine has been dedicated to the advancement, development and the appreciation of figurative sculpture.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eOur objective is to show the various ways in which sculptors worldwide and throughout time have struggled to represent the form. We are committed to exploring the excellence of traditional figurative art as well as the investigation of the limits of classical \/ traditional rendering. To this end, we venture into the many different expressions of the figure, including folk, tribal and the modern.\u003cbr\u003e\u003cbr\u003eIn giving voice to all forms of expression in figurative sculpture, SCULPTURE REVIEW must above all speak to you, our readers. We therefore urge you to speak back, give us your comments, your ideas and your own point of view. With your participation, we can ensure the magazine's continued vitality.\u003c\/p\u003e","brand":"National Sculpture Society","offers":[{"title":"Default","offer_id":48014730199355,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/sculpture-review-2017spring.jpg?v=1710977433"},{"product_id":"make-up-artist-magazine-113-april-may-2015","title":"Make-Up Artist Magazine 113 April\/May 2015","description":"\u003cp\u003eFrom the Coneheads to Wayne’s World, we cover iconic \u003cem\u003eSaturday Night Live\u003c\/em\u003e make-ups and the artists who worked on them in our Issue 113 celebration of the show’s 40th anniversary. Ever wonder how to make a lateral move in your make-up career? Check out our jobs coverage! PLUS: Recap of IMATS Los Angeles 2015; conversation with beauty artist Ricky Wilson; and the make-ups in \u003cem\u003eSelma\u003c\/em\u003e, \u003cem\u003eJupiter Ascending\u003c\/em\u003e, \u003cem\u003eSeventh Son\u003c\/em\u003e and \u003cem\u003eCinderella\u003c\/em\u003e.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default","offer_id":48015021506875,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/makeupmag-character-113-snl.jpg?v=1710980490"},{"product_id":"make-up-artist-magazine-114-june-july-2015","title":"Make-Up Artist Magazine 114 June\/July 2015","description":"\u003cp\u003eWe go global in Issue 114 with international bridal beauty, artist profiles, on-set postcards, Trina Merry’s U.K. body-painting series and a road trip to New Orleans. ALSO: Cirque du Soleil looks, IMATS New York celebrates \u003cem\u003eSaturday Night Live\u003c\/em\u003e and more!\u003c\/p\u003e\n\u003cp\u003ePLUS THESE COLUMNS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndustry Buzz: Stephanie Flor’s Around the World Beauty, IMATS Vancouver 2015 preview, M.A.C. meets National Ballet of Canada, new Shannon Shea autobiography, J. Michael Roddy’s \u003cem\u003eMonsterKids\u003c\/em\u003e documentary and the IMATS New York \u003cem\u003eSaturday Night Live\u003c\/em\u003e afterparty\u003c\/li\u003e\n\u003cli\u003eWhat’s in Your Kit? With Dutch Bihary\u003c\/li\u003e\n\u003cli\u003eProduct News featuring Bobbi Brown Cosmetics, Face Atelier, Urban Decay, Lise Watier, MEL Products, The Brush Belt Company, Alcone Company, Brian Kinney, Kryolan Professional Make-up and M.A. C. Pro\u003c\/li\u003e\n\u003cli\u003eRetro Reviews: \u003cem\u003eAround the World in 80 Days\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eBackstage, featuring make-up designer Brian Strumwasser and \u003cem\u003eMamma Mia!\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLab Tech: Shaune Harrison transforms papadums into a leprosy effect\u003c\/li\u003e\n\u003cli\u003eOut of the Kit: Thomas Surprenant shares six steps to safer prosthetic removal\u003c\/li\u003e\n\u003cli\u003eBeauty Breakdown: Vivian Baker’s beauty look for Bryce Dallas Howard in \u003cem\u003eJurassic World\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default","offer_id":48015021637947,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/makeupmag-character-114.jpg?v=1710980492"},{"product_id":"make-up-artist-magazine-125-apr-may-2017","title":"Make-Up Artist Magazine 125 Apr\/May 2017","description":"\u003cp\u003eIt’s the annual Art and Design Issue, and we go behind the scenes to learn about Pantone’s Color of the Year selection process! 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Plus, we follow busy make-up student Amber Marie and give you a look at what’s new from other make-up schools. Revel in 34 pages of extensive behind-the-scenes coverage of Guardians of the Galaxy Vol. 2, \u003cem\u003eAlien: Covenant \u003c\/em\u003eand \u003cem\u003eGhost in the Shell\u003c\/em\u003e. ALSO: Emma Stone’s go-to artist, Rachel Goodwin, discusses her career; Michael Westmore allows a glimpse into his new autobiography; and the studio that brought you \u003cem\u003eHellraiser\u003c\/em\u003ebares all, in the first part of an epic tale of the rise and fall of Image Animation.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default","offer_id":48015021801787,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/makeupmag-character-126-alien.jpg?v=1710980495"},{"product_id":"make-up-artist-magazine-129-dec-jan-2018","title":"Make-Up Artist Magazine 129 Dec\/Jan 2018","description":"\u003cp\u003eFor our Year in Review Issue, we hold nothing back! 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That’s OK, we got you! We reminisce with all the highlights and extraordinary make-ups.\u003c\/p\u003e\n\u003cp\u003eALSO: Roque Cozette’s regal looks, Dick Page’s intriguing journey as a make-up artist; and all the wonderful make-ups in \u003cem\u003eBlack Panther, The Monkey King 3, Chappaquiddick, A Wrinkle in Time\u003c\/em\u003e and \u003cem\u003eStar Trek: Discovery.\u003c\/em\u003e\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default","offer_id":48015022260539,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/makeupmag-character-131.jpg?v=1710980498"},{"product_id":"make-up-artist-magazine-133-aug-sept-2018","title":"Make-Up Artist Magazine 133  Aug\/Sept 2018","description":"\u003cp\u003eProducts and tools can make or break a kit. That’s why we dedicate an entire issue to the exploration of industry leaders’ recommended tools and the discovery of new products. In this very special edition of \u003cem\u003eMake-Up Artist\u003c\/em\u003e magazine, the Products and Tools Issue, we sit down with Shanna Cistulli and break down her make-up designs crafted specifically for this issue and inspired by the 20th-century artistic movement. We also dive into some of the most popular make-up podcasts and unearth make-up artists’ cyberspace successes and challenges. For TV, Norway’s \u003cem\u003eMagnus\u003c\/em\u003e and Hungary’s \u003cem\u003eThe\u003c\/em\u003e \u003cem\u003eAlienist\u003c\/em\u003e are featured in a way that captures the innovation and creative nature of each show. Our film section lays out 22 pages of dinosaurs in honor of \u003cem\u003eJurassic Park \u003c\/em\u003ecelebrating 25 years, and then we delve into the newest film in the series: \u003cem\u003eJurassic World: Fallen Kingdom.\u003c\/em\u003e \u003cem\u003eUncle Drew\u003c\/em\u003e, a fun film about septuagenarians hitting the basketball court, is also covered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALSO:\u003c\/strong\u003e Australia’s Marc Clancy is spotlighted; new tricks for old-age make-up is explored, Walter Macken’s novel \u003cem\u003eWhen Doves Fly\u003c\/em\u003e and subsequent movie is reviewed and Vanessa Blanchard Lee shares advice and opens her kit for examination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlus these columns:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhat’s in Your Kit? 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In our Make-up Around the World Issue we explore this deep connection. This is one of our favorite issues, because it is in the sharing of ideas and artistry that we inspire and provoke more creativity.\u003c\/p\u003e\n\u003cp\u003eIlise Harris joins us in this issue with a unique photoshoot about “Connecting the Dots.” Read all about this project based on the tribal markings used by African tribes and their prevalence in today’s make-up world. Our exposé on body painters around the world delves into the living canvas and the growing unity of these artists. Also, on the eve of launching IMATS Atlanta, we look at the recent productions shot there (\u003cem\u003eGoosebumps 2: Haunted Halloween\u003c\/em\u003e, \u003cem\u003eThe Haunting of Hill House\u003c\/em\u003e, \u003cem\u003eSharp Objects\u003c\/em\u003e, \u003cem\u003eFirst Man\u003c\/em\u003eand \u003cem\u003eVenom\u003c\/em\u003e). And, did you miss IMATS Toronto? That’s OK, we got you! Follow along, as we reminisce with all the highlights and extraordinary make-ups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALSO:\u003c\/strong\u003e\u003cem\u003e BlacKkKlansman\u003c\/em\u003e is covered along with \u003cem\u003eGalveston\u003c\/em\u003e and \u003cem\u003eStan \u0026amp; Ollie\u003c\/em\u003e—movies that incorporate top notch make-up artistry. The TV show \u003cem\u003eThe Deuce\u003c\/em\u003e is examined, the Filipino fright film\u003cem\u003e Beast of the Yellow Night \u003c\/em\u003eis reviewed, the theatrical production of \u003cem\u003eMean Girls\u003c\/em\u003e earned its place as well, along with an article on the ancient and modern use of kohl. \u003cem\u003eCrazy Rich Asians\u003c\/em\u003e gets a Beauty Breakdown and Nicole Chilelli walks us through how to make cheap Halloween props look real and, well, not so cheap!\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default","offer_id":48015079440699,"sku":null,"price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/134-news-header-750x450-v2.jpg?v=1710981128"},{"product_id":"make-up-artist-magazine-137-feb-mar-2019","title":"Make-Up Artist Magazine 137 Feb\/Mar 2019","description":"\u003cp\u003eReady to be inspired? \u003cem\u003eMake-Up Artist\u003c\/em\u003e magazine’s newest edition, The Art \u0026amp; Design Issue, is overflowing with beautiful make-ups put together through innovative creativity and artistic vision. The powerful make-up teams from \u003cem\u003eCaptain Marvel\u003c\/em\u003e and \u003cem\u003eHellboy\u003c\/em\u003e provide insights into their astounding accomplishments, while Roque Cozzette and Sheila McKenna collaborate on an Art Deco-inspired project that reveals some beauty looks are timeless. And one of the most inspiring of all aspects of Issue 137: a tribute to Matt Rose, an industry leader, a great talent, a lifelong monster fan.\u003c\/p\u003e\n\u003cp\u003eALSO: Dive into the logistics of color theory and learn from professional make-up artists about the integration and day-to-day application of this integral component. Learn how mature models are leading the Graynaissance movement; check out the fresh-faced style of James Molloy and jump behind the scenes with the make-up artists from \u003cem\u003eSchitt’s Creek\u003c\/em\u003e and \u003cem\u003eTrue Detective\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003ePlus, these columns:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpotlight on artist Tiaja Pierre\u003c\/li\u003e\n\u003cli\u003eHow-To: The perfect Bearded Lady by Shylie Parsons\u003c\/li\u003e\n\u003cli\u003eProduct News: Ardell, MUD, Pacific Instruments and more\u003c\/li\u003e\n\u003cli\u003eWhat’s in Your Kit? 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information.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBarrie Gower on the baptism of fire (and ice) that was setting up for Game of Thrones\u003c\/li\u003e\n\u003cli\u003eCrimson Peak and DDT Efectos Especiales’ gothic ghosts\u003c\/li\u003e\n\u003cli\u003eHow to block nostrils for a successful positive life cast\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 4 Summer 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-04-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/08\/Issue-04-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eFrom incredibly popular franchise productions and those who have had an integral part in them, to the foundational processes that every artist must know inside out, this issue covers a broad swathe of knowledge, profiles, and techniques.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcademy Award winner Joel Harlow’s 56 new alien races for Star Trek Beyond\u003c\/li\u003e\n\u003cli\u003eA retrospective of the career of Oscar, Emmy, and BAFTA-winning Mark Coulier\u003c\/li\u003e\n\u003cli\u003ePart one of a profile of how the X-Men franchise has challenged the FX makeup industry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 5 Winter 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-05-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2016\/11\/Issue-05-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn issue with considerable inspiration and information on the systems and techniques needed for seriously impressive effects, from the sculpture stage to the film set and beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpectral Motion’s Mike Elizalde and Mark Setrakian on their pioneering animatronics\u003c\/li\u003e\n\u003cli\u003eAcademy Award winner David Martí on DDT Efectos Especiales’ large scale work for J. A. Bayona’s A Monster Calls\u003c\/li\u003e\n\u003cli\u003eThe second instalments of the X-Men retrospective and Joel Harlow on Star Trek Beyond\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 6 Spring 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-06-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/02\/Issue-06-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eMore animatronics, creatures, and concealment – from contact lenses to art of disguise makeup – join top industry artists for useful tips and information across areas like contact lenses and ovens, and take in the second parts of profiles and tutorials.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA trip through the Elsey’s amazing career ride – see where saying yes can get you!\u003c\/li\u003e\n\u003cli\u003eThe considerations, skills, and psychology behind successfully concealing identity\u003c\/li\u003e\n\u003cli\u003eLove Larson and Eva von Bahr on ageing and character makeups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 7 Summer 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-07-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/05\/Issue-07-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe features in this issue cover such a variety of design and execution – from the blockbuster to the anime crossover, along with body paint basics, from the fundamentals to the far out!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBackground on Wolverine and beautiful images in Logan\u003c\/li\u003e\n\u003cli\u003eUnmissable detailed tutorial on Bondo transfers, including all the pros and cons of different materials\u003c\/li\u003e\n\u003cli\u003eThe second part of the Elsey partnership feature (lots of Wookiees…)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 8 Autumn 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-08-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/08\/Issue-08-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe 80s retro anthology! Not only does this issue include a host of big makeup FX names talking about the Golden Age of the creature effects revolution (and a hilarious ‘Dear Neill’ advice column), but also a section of personal memories from makeup FX’s enduring leaders on their 80s experiences. Not to be missed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom The Thing to Thriller: the 80s revolution in creature effects\u003c\/li\u003e\n\u003cli\u003eRidley Scott’s Alien: Covenant – aliens, artefacts and effects from a combined effort across the globe\u003c\/li\u003e\n\u003cli\u003eA tricky brief for Legacy Effects on Guardians of the Galaxy: Vol 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 9 Winter 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-09-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2017\/11\/Issue-09-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis issue contains a number of feature articles so detailed and focused they could almost be tutorials, along with real tutorials which take you through careful step-by-step processes. Scary clowns from Bart J. Mixon, and if you really don’t like clowns there is a blood blaster tutorial!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProvocative prosthetics on Eduardo Casanova’s Skins by Oscar del Monte\u003c\/li\u003e\n\u003cli\u003eDavina Lamont and Göran Lundström’s amazing character and ageing work on Genius\u003c\/li\u003e\n\u003cli\u003eBrilliantly detailed examination of Akihito Ikeda’s Zombie Boy for Monsterpalooza 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 10 Spring 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-10-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/02\/Issue-10-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis wide-ranging issue highlights the variety and scope of opportunities for prosthetics work in today’s screen industry, along with our trademark tutorials and tips.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRogier Samuels’ return to Middle Earth for a series of commercials for ‘Shadow of War’\u003c\/li\u003e\n\u003cli\u003eThe complex challenges facing Arjen Tuiten in his actor-driven makeup on nine-year-old actor Jacob Tremblay in Wonder\u003c\/li\u003e\n\u003cli\u003eA legion of sea fiends brought to life by Arturo Balseiro for sci-fi horror Cold Skin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 11 Summer 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-11-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/05\/Issue-11-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Apes Issue! An insight into the appeal of apes and the challenges of creating primate characters, an industry staple as well as the focus of many passion projects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlanet of the Apes’ original makeup team reminisce about a cultural phenomenon\u003c\/li\u003e\n\u003cli\u003eA retrospective not just on, but by, Rick Baker, on a subject that has featured many times in his magnificent career\u003c\/li\u003e\n\u003cli\u003eMaster sculptor Don Lanning’s take on finding your path in life\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 12 Autumn 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-12-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/08\/Issue-12-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eSome gore, some sci-fi, some real character ageing, and some infectious Norwegian whimsy, alongside the usual essential tutorials, tech specs and tips, and a foray into haunt territory.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDavina Lamont and Göran Lundström on transforming Antonio Banderas into Pablo Picasso for the second series of National Geographic’s Genius\u003c\/li\u003e\n\u003cli\u003eThe rise and rise of the haunt and scare attraction industry in the USA\u003c\/li\u003e\n\u003cli\u003eBill Corso and the Deadpool 2 team transform Josh Brolin into a time-travelling cyber-assassin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 13 Winter 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-13-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2018\/11\/Issue-13-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis issue showcases some of the pioneering work being done in fields beyond film and TV – truly ground-breaking prosthetics skills and applications. Of course, there are the usual fantastic behind-the-scenes stories and images that you’ve come to expect as well!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLook out for \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcademy Award winner Christopher Nelson and his FX makeup co-designer Vincent Van Dyke on becoming part of the Halloween legacy\u003c\/li\u003e\n\u003cli\u003eMike Defeo and Josh Turi collaborate on creating a practical prosthetic using a digital process\u003c\/li\u003e\n\u003cli\u003eJustin Raleigh and his Fractured FX team’s incredible work on medical simulation with Boston Children’s Hospital\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 15 Summer 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-15-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/05\/Issue-15-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eLuckily all the gore in this issue is silicone, because there’s plenty of it! If you want to know anything about the development of silicone as a medium in the prosthetics world, there’s no better place to start. Plus: more monsters and mavericks, and some Marvel to boot.\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll the hot details on Hellboy from Joel Harlow\u003c\/li\u003e\n\u003cli\u003eA marathon of alterations and alternatives for Adrien Morot on The Revenant in this issue’s B-Sides\u003c\/li\u003e\n\u003cli\u003eTwilight Creations’ Jörn Seifert on mutilations, expectations, and borrowing a ‘dead’ dog for Netflix’s series Perfume\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 16 Autumn 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-16-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover.jpg\" sizes=\"(max-width: 505px) 100vw, 505px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover.jpg 505w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-360x510.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-212x300.jpg 212w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-370x524.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-185x262.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-400x566.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"283\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/08\/Issue-16-cover.jpg\" data-large_image_width=\"505\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eJourney to Westeros with our extended feature, but stop off on the way for swamps, floods, snap moulds, steampunk, lookalikes, fine art, museums, and extreme old age. Something for everyone in issue 16!\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBarrie Gower of BGFX on the juggernaut that was Game of Thrones, from delicate detail on the Children of the Forest to bulk burn effects and battle scenes\u003c\/li\u003e\n\u003cli\u003eJoel Harlow talks extreme old age makeup effects creation techniques as he ages Zachary Quinto from his forties to 135. Look away now if you don’t like creepy nails and teeth…\u003c\/li\u003e\n\u003cli\u003eAdrien Morot takes on Alexandre Aja’s alligators-in-a-hurricane-zone big-screen drama. Think popping bones, mattress-foam-based dogs, and plenty of gore. You can thank us later\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 17 Winter 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue-17-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover.jpg\" sizes=\"(max-width: 507px) 100vw, 507px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover.jpg 507w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-360x508.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-213x300.jpg 213w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-370x522.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-185x261.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-400x564.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"282\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2019\/11\/Issue-17-cover.jpg\" data-large_image_width=\"507\" data-large_image_height=\"715\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis issue has a retrospective feel as we look back at extraordinary histories: of careers, long-running shows, a body of connected work assembled over time, the history of life casting itself, and even a film based on long term Kazakh political careers. Definitely one for the history books!\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe first part of a two-part interview with industry legend Rick Baker examines his formative years, including a pivotal meeting with Dick Smith\u003c\/li\u003e\n\u003cli\u003eSpectral Motion re-team with Guillermo del Toro to create the extraordinary principal creatures for Scary Stories to Tell in the Dark\u003c\/li\u003e\n\u003cli\u003eAustralia’s Make-up Effects Group (M.E.G.) co-founders Paul Katte and Nick Nicolaou on creating demons for the dark world of the Nekromancers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 18 Spring 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled-100x100.jpg\" data-thumb-alt=\"Issue 18 Cover\"\u003e\u003cimg class=\"wp-post-image\" title=\"Issue 18 Cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled-600x848.jpg\" sizes=\"(max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled-600x848.jpg 600w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled-360x509.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-212x300.jpg 212w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-370x523.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-185x262.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-400x566.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-34x48.jpg 34w\" alt=\"Issue 18 Cover\" width=\"200\" height=\"283\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/02\/PROSTHETICS-13-COVER-FLAT-scaled.jpg\" data-large_image_width=\"1811\" data-large_image_height=\"2560\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eIt’s a fascinating melange of masterful work in this issue – reality TV and retrospectives, blockbusters and trailblazers, and of course some demons, nightmares, hauntings, and invisible friends. All your favourites, and the chance to gen up from the ground up on airbrushes – you’ll be spoilt for choice on what to look at first!\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe second of a two-part feature on the legendary Rick Baker, from Thriller through to The Grinch, Planet of the Apes, and beyond\u003c\/li\u003e\n\u003cli\u003e1917 Oscar-nominated Tristan Versluis on dead bodies, war wounds, and animatronic blood gags for the acclaimed Sam Mendes ‘one-shot’, 360-degree, continuous action war film\u003c\/li\u003e\n\u003cli\u003eMakeup Effects team Dave and Lou Elsey create elaborate woman-into-man transformations for Bravo’s social experiment reality TV show, and act as on-camera mentors as well\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 19 Summer 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled-100x100.jpg\" data-thumb-alt=\"PROSTHETICS ISSUE 19 FRONT COVER\"\u003e\u003cimg class=\"wp-post-image\" title=\"PROSTHETICS ISSUE 19 FRONT COVER\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled-600x848.jpg\" sizes=\"(max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled-600x848.jpg 600w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled-360x509.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-212x300.jpg 212w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-370x523.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-185x262.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-400x566.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-34x48.jpg 34w\" alt=\"PROSTHETICS ISSUE 19 FRONT COVER\" width=\"200\" height=\"283\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/05\/PROSTHETICS-ISSUE-19_COVER-FLAT-opt-scaled.jpg\" data-large_image_width=\"1811\" data-large_image_height=\"2560\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThere’s a heady mix of subjects in this issue covering everything from creature FX on a grand scale to the most delicate of likeness character makeups, and the visual splendour of a social media sensation. Our 26-page celebration of treasured industry company KNB EFX Group is not to be missed, as well as useful info about subjects such as airbrush compressors, digital manufacturing techniques and sourcing vegan makeup FX products.\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe story so far of the prosthetics for Star Trek: Picard told by prosthetics designer Vincent Van Dyke, prosthetics and special makeup effects department head James Mackinnon, and lead creature designer Neville Page\u003c\/li\u003e\n\u003cli\u003eJason Hamer recounts the build of an extraordinary 40-foot sea creature for a new telling of the Peter Pan legend in Wendy\u003c\/li\u003e\n\u003cli\u003eInternet sensation Vanessa Davis, aka The Skulltress, discusses her journey from theatrical hair and makeup artist to full-time social media influencer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 20 Winter 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"PROSTHETICS ISSUE 20_COVER FLAT\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled-600x853.jpg\" sizes=\"(max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled-600x853.jpg 600w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled-360x512.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-211x300.jpg 211w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-370x526.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-185x263.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-400x569.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"284\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2020\/11\/PROSTHETICS-ISSUE-20_COVER-FLAT-scaled.jpg\" data-large_image_width=\"1801\" data-large_image_height=\"2560\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn this diverse issue, you’ll find prosthetics for new comedy and horror movies plus a time-hopping TV series, a stunning lookalike makeup and the concluding part of a multi-part airbrushing tutorial. This issue is also a product of the difficult times it was compiled in; you’ll notice a lack of reference to Covid-19 because we want you to escape the relentless stress of it for a while. Instead, you’ll find an inspiring 22-page article showcasing how 8 of the industry’s busy artists turned a negative into a positive and continued being creative.\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHow the makeup FX team on Bill \u0026amp; Ted Face the Music tackled muscle suits, ageing makeups, reprising the Grim Reaper, creating a time-travelling robot and more\u003c\/li\u003e\n\u003cli\u003eThe story of the Swamp Thing TV series characters that fell victim to a surprise shutdown of filming in this issues B-Sides column\u003c\/li\u003e\n\u003cli\u003eThe makeup team on ambitious German sci-fi series Dark discuss the complex task of creating the prosthetic FX for three seasons of time-hopping drama\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 21 Summer 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"PROSTHETICS ISSUE 21_COVER w highlight\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled-600x852.jpg\" sizes=\"(max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled-600x852.jpg 600w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled-360x511.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-211x300.jpg 211w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-370x525.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-185x263.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-400x568.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"284\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/04\/PROSTHETICS-ISSUE-21_COVER-w-highlight-scaled.jpg\" data-large_image_width=\"1803\" data-large_image_height=\"2560\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThere’s a theme of amazing re-creations in this issue: impeccable reprises of character makeups, a splendid homage to Darkness from Legend, stunning life-size likenesses of horror heroes and reboots of the iconic Gill Man! There’s cutting-edge hybrid work, gloriously gory horror and humanoid pigs at the Salton Sea. Don’t miss our major career profile of industry giant Nick Dudman, and if you need advice on costing jobs, it’s right here!\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJaco Snyman’s innovative work utilising a hybrid of traditional and digital design and manufacturing techniques for Ridley Scott’s hit sci-fi series Raised by Wolves.\u003c\/li\u003e\n\u003cli\u003eToby Lindala’s Vancouver-based shop creates plague-infested bodies, gore and superb ageing makeup for The Stand.\u003c\/li\u003e\n\u003cli\u003eOne of the best-known names in the business, Nick Dudman, looks back at an illustrious, four-decade career.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 22 Winter 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-100x100.png\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"PROSTHETICS ISSUE 22_COVER FLAT\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1.png\" sizes=\"(max-width: 400px) 100vw, 400px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1.png 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-360x509.png 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-212x300.png 212w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-370x524.png 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-185x262.png 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-20x28.png 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1-34x48.png 34w\" alt=\"\" width=\"200\" height=\"283\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1.png\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2021\/11\/PROSTHETICS-ISSUE-22_COVER-FLAT-1.png\" data-large_image_width=\"400\" data-large_image_height=\"566\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThere’s an air of change about issue 22, not least because it’s our first bigger bumper one! We bring you exciting examples of conventional prosthetics; everything from wild werewolves to savage zombies, crazed creatures to animal-children. But we also look at how the future is unfolding, with tantalizing tutorials examining 3D modelling software, as well as the place of 3D printing in the manufacture of appliances, and how the two technologies can sit side-by-side with traditional techniques. Basically, where the past meets the present…literally in A Family Portrait – just one of the amazing articles on offer!\u003c\/p\u003e\n\u003cp\u003eLook out for\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcademy award-winner Howard Berger and KNB EFX Group take the lead in bringing a new generation of superheroes to life.\u003c\/li\u003e\n\u003cli\u003eFractured FX spill the beans on their enchanting work for the Netflix fantasy drama series, Sweet Tooth.\u003c\/li\u003e\n\u003cli\u003eJim Udenberg creating prosthetics for Norway’s first ever werewolf film, Viking Wolf.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIssue 23 Summer 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"small-12 medium-4 columns\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery woocommerce-product-gallery--with-images woocommerce-product-gallery--columns-4 images small-12 columns small-order-1\" style=\"opacity: 1;\" data-columns=\"4\"\u003e\n\u003cfigure id=\"product-images\" class=\"woocommerce-product-gallery__wrapper product-images\" data-navigation=\"true\" data-autoplay=\"false\" data-columns=\"1\" data-asnavfor=\"#product-thumbnails\"\u003e\n\u003cdiv class=\"first\"\u003e\n\u003cdiv class=\"woocommerce-product-gallery__image\" data-thumb=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-100x100.jpg\" data-thumb-alt=\"\"\u003e\u003cimg class=\"wp-post-image\" title=\"issue-23-cover\" src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover.jpg\" sizes=\"(max-width: 400px) 100vw, 400px\" srcset=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover.jpg 400w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-212x300.jpg 212w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-370x524.jpg 370w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-185x262.jpg 185w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-20x28.jpg 20w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-360x509.jpg 360w, https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover-34x48.jpg 34w\" alt=\"\" width=\"200\" height=\"283\" data-caption=\"\" data-src=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover.jpg\" data-large_image=\"https:\/\/www.prostheticsmagazine.co.uk\/wp-content\/uploads\/2022\/04\/issue-23-cover.jpg\" data-large_image_width=\"400\" data-large_image_height=\"566\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eIssue 23 sees the craft of prosthetics come full circle in the Academy Awards! There’s a retrospective on the career of Christopher Tucker, without whom the statuette for ‘Makeup and Hairstyling’ may never have existed, and a feature about Justin Raleigh’s work on The Eyes of Tammy Faye, which just scooped that very Oscar! The pages are garnished with past and present winners and nominees, journeying across the Continent of The Witcher, over the desolate deserts of Dune, and the spy world of 007. Where else could you find monster-hunters, fashion icons, chainsaw-wielding maniacs, demons, djinns and televangelists, sat comfortably side-by-side?\u003c\/p\u003e\n\u003cp\u003eLOOK OUT FOR:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcademy Award-winner Joel Harlow brings an intriguing collection of new monsters to season 2 of the popular supernatural series, Evil\u003c\/li\u003e\n\u003cli\u003eBarrie Gower talks poisons, prosthetics, and Bond villains in No Time to Die\u003c\/li\u003e\n\u003cli\u003eGöran Lundström transforms Jared Leto into Paolo Gucci…with unrecognizable results\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gorton Studios","offers":[{"title":"#3","offer_id":48016916807995,"sku":"793015003","price":20.0,"currency_code":"USD","in_stock":true},{"title":"#4","offer_id":48016916840763,"sku":"793015004","price":20.0,"currency_code":"USD","in_stock":true},{"title":"#5","offer_id":48016916873531,"sku":"793015005","price":20.0,"currency_code":"USD","in_stock":true},{"title":"#6","offer_id":48016916906299,"sku":"793015006","price":20.0,"currency_code":"USD","in_stock":true},{"title":"#7","offer_id":48016916939067,"sku":"793015007","price":20.0,"currency_code":"USD","in_stock":true},{"title":"#8","offer_id":48016916971835,"sku":"793015008","price":20.0,"currency_code":"USD","in_stock":false},{"title":"#9","offer_id":48016917004603,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#10","offer_id":48016917037371,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#11","offer_id":48016917070139,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false},{"title":"#12","offer_id":48016917102907,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#13","offer_id":48016917135675,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#15","offer_id":48016917168443,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#16","offer_id":48016917201211,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false},{"title":"#17","offer_id":48016917233979,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false},{"title":"#18","offer_id":48016917266747,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#19","offer_id":48016917299515,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#20","offer_id":48016917332283,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#21","offer_id":48016917365051,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#22","offer_id":48016917397819,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"#23","offer_id":48016917430587,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/7539\/6411\/files\/prosmagcollection.jpg?v=1718808186"},{"product_id":"sculpture-quarterly","title":"Sculpture Quarterly","description":"\u003cp\u003ehe magazine will have a fresh look and feel, with higher quality paper and a complete redesign. 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